Tag Archives: Southern Pacific Railroad

Who Framed Roger Rabbit 1988

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Touchstone Pictures

I love cartoons. When this big budget movie collaboration between Lucasfilm and Disney came out back in the 1980’s, I was first in line to see it in the theatre. Looking back now, I realize a major plot point was the demise of Los Angeles’ legendary Pacific Electric railroad system. At the time, many thought the disappearance of the “Red Cars” was a conspiracy by General Motors and the bus companies. The truth was much simpler. People preferred the convenience of their own private cars.

Who Framed Roger Rabbit is a perfect fit for my obscure train movie blog as the train part is mostly in the background, but comes to the front as the film reaches its climax. The more I researched this movie from a Pacific Electric Red Car standpoint, the more I understood what really happened…and how well filmmakers did reproducing the environment for the time period (late 1940’s).

Replica PE #721 rolls along with some non-paying passengers riding the rear bumper. #721 represents a “Hollywood Car” (600 class, #600-759). Notice its trolley pole is reaching for overhead wires that are not there.

At least one Hollywood Car (PE #655) was saved from the scrap heap and is in the collection of the Southern California Railway Museum.

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Railroadin’ 1941

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Adverti-Films – Hollywood

Filmed in glorious Dunningcolor, today’s feature was sponsored by Alco Locomotives & General Electric, so naturally their railroad equipment was featured front and center. Released just before the Japanese attack on Pearl Harbor, America is already gearing up for World War 2.

What sets this movie apart is the absolutely priceless scenes of Pre-war steam and diesel trains in color, no less. There are enough Electro-Motive Diesel passenger locomotives to keep things interesting and I’ll try my best to identify each scene used.

For example, the above picture appears to be in Chicago where an orange & maroon Milwaukee Road “Hiawatha” passenger train is arriving as a CMStP&P commuter train is switched alongside.

Let’s check it out!

How far they’ve come. At first, railroads themselves were shunned as dangerous and foolhardy. Now this nefarious couple contemplate railroad travel on credit…to collect her husband’s double indemnity insurance policy!

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Shanghai Express 1932

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Paramount Pictures

Like last month’s Union Depot 1932, I’d like to thank Danny at the Pre-Code.com blog for introducing me to yet another obscure train movie.

There are only two thespians I had previously heard of in this picture: Marlene Dietrich, of course, as Shanghai Lily and Eugene Pallette as Sam Salt. Mr. Pallette was almost instantly recognizable by his voice alone. Film goers may remember him as Friar Tuck in The Adventures of Robin Hood 1938 (“Give me back my mutton!“).

The real star of the show was Southern Pacific Railroad #2428, a P-3 class 4-6-2 Baldwin-built steam locomotive. I believe this was the same engine used to represent two different trains. Pulling out of Peiping (Peking), the engine is numbered 4234, then the “hostage train” is numbered 2428. To further complicate things, there are only Chinese characters in the number boards to reference, but at least the wheel arrangement matches.

Anyhoo, let’s take a look at Hollywood’s interpretation of Chinese rail transport during an ongoing civil war. Hen hao, xièxiè !

Fixing to leave Peiping, the engineer looks back for the highball. Cab side lettering reads “4234” in Chinese characters; Later on in the movie, the engine characters are switched to “2428”.

Here is a link to sister SP locomotive #2429 to see what our film’s 4-6-2 looks like without the set dressing.

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Union Depot 1932

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First National Pictures

I think I heard the word, “swell” about a dozen times in this movie…which made me giggle. It’s kind of corny, but relevant slang for the times. Now, before I get too carried away here, I want to thank Danny at the Pre-Code.com blog for tipping me off about this movie. His review of this flick was a great inspiration and help in understanding what the heck was going on.

For a picture mostly filmed in the studio, Union Depot had a respectable train allotment including two Southern Pacific steam locomotives I could identify, a named Pullman 12-1 sleeper and the pre-LAUPT Southern Pacific Central Station to name a few. And let’s not overlook the enormous Union Depot set itself built in the studio — which would be re-used in many more upcoming movies.

Joan Blondell (Yowza!) plays chorus girl Ruth Collins alongside the rakish Douglas Fairbanks, Jr. as hobo/bum Chick Miller who cleans up nicely (literally) before he meets his gal pal.

Let’s go down to the station and see what’s happening. All Abooooooarrrrd!!!

Joan turns on a dazzling smile as she and Doug discuss travel plans. In the background is the Union Depot soundstage which included offices, a cafe, bathrooms, waiting room with wooden pews, numbered gates to trains and columns. Lots of columns.

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Murder is my Beat 1955

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Allied Artists Productions

I first heard about this B noir picture from reader Tony Wilson. As I researched, I discovered a good copy on both archive.org and YouTube. The film features at least 3 different Southern Pacific Railroad steam locomotives pulling various heavyweight and streamlined passenger equipment.

It’s a relatively short flick at just 77 minutes, but there are two train sequences at the 31 minute and 70 minute marks packed full of onboard and train exterior goodness. I had a great time discovering the equipment used — made harder by B&W night-time footage. And there might just be a little cheesecake in there for our more mature readers.

Let’s go ride “The Friendly” Southern Pacific!

Churning, spoked drivers roll along an impeccably-groomed roadbed…which segues into this shot of a steamer pulling a 5 car passenger train down a weed-choked right-of-way.

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Switchback 1997

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Paramount Studios

I first heard about this movie from a blog! Many thanks to James Tiroch and his Cinetrains site for providing a wealth of information about the two locomotives used in filming AND their disposition afterwards.

Despite the snazzy “Grande Gold” graphic (see below image) splashed across their flanks, these are NOT Denver and Rio Grande Western Railroad (D&RGW) locomotives! At the time of filming, Union Pacific owned D&RGW and would not allow use of their equipment. Movie makers simply leased a couple locomotives and painted them up the way they liked.

And WHAT a couple of engines they are! Two former Southern Pacific EMD-built (1970) SD39’s #5319 & #5325 dressed up in Rio Grande “speed lettering”. Let’s check out this film on the “Main Line Thru The Rockies”.

A pair of Rio Grande diesels is about to enter a tunnel deep in a Colorado canyon. These Espee SD39’s in disguise were frequently renumbered to represent different trains. Notice the cabside number location has been painted out. Here the lead unit is “2010” and the trailing unit is “234”.

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Incident on the Road Back 1961

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CBS Television

Rawhide! “Rollin’, Rollin’, Rollin’…” Who can forget Frankie Laine howling those opening and closing lyrics…especially after the Blues Brothers reintroduced the show to a newer generation (me) in 1980?

According to my research (Hat tip to Larry Jensen – Hollywood’s Railroads, Volume 2), the production company of Rawhide spent a month in Tuolumne County filming bits of various shows for Season 3. Today’s review features Sierra Railroad #3, “shorty” passenger cars #5 & #6 as well as several stock cars borrowed from Southern Pacific Railroad.

In addition to the iconic 1891 Rogers 4-6-0, feast your eyes on one of the screens most recognized actors, Clint Eastwood, in his breakthrough role of Rowdy Yates. Two classics in one. Let’s get started…

Clint Eastwood (Rowdy) poses with co-stars Paul Brinegar (as Wishbone) and Eric Fleming (as Gil Favor) alongside Sierra #3.

Do ya feel lucky? Well do ya, punk? Rowdy waits for the train, sporting his now-famous annoyed grimace. Note the stock car on the siding and water tower in the background.

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Oklahoma! 1955

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RKO Radio Pictures
20th Century Fox

This is a train movie filmed twice! First, was in glorious CinemaScope, the Second in 70mm Todd A-O. Once they finished filming a scene in CinemaScope, they’d roll in the Todd A-O cameras and the actors would repeat their performance. What’s interesting about this process, is you get a slightly-different view of each scene. Double your pleasure, double your fun!

The star of our show is little Southern Pacific #1673, a 2-6-0 M-4 class Mogul, built by Schenectady Locomotive Works in 1900. For the movie, she was renumbered with a flamboyant #52 emblazoned on her tender with no RR reporting marks on the cab side.

As seen from this link –> Southern Pacific #1673 is still with us and on display at the Tucson, Arizona, Amtrak station.

Filming twice was fortunate as we see no front end close ups of #1673/#52 in CinemaScope, but get some great views in the Todd A-O version. More later.

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Love Me Tender 1956

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20th Century Fox

B&W Cinemascope

Elvis! Guess what the baby said! Okay, I’m already getting off track here (pun intended), but I always think of the above Apes of Wrath 1959 cartoon when Elvis’ name comes up.

Yeah, Elvis. Here he appears in his first movie as brother Clint, of the notorious, train-robbing Reno Gang. Although he isn’t shown next to a train at any point, he aids and abets his brothers in their crime spree. Actually, Elvis was brought in as an excuse to include some of his musical numbers and be the third figure in a messy love triangle. More about that later.

Today’s movie features TWO studio-owned stream locomotives: 1. Virginia & Truckee 4-4-0 #22, “The Inyo” and; 2. Dardanelle & Russellville 4-4-0 #8. Both of these locomotives are still with us and located in Carson City, Nevada.

It’s the Confederates vs. the Damn Yankees towards the end of the Civil War. Here comes the train. Time to rob the payroll!

Presented here are two contemporary views of our feature’s two steam locomotives at the Nevada State Railroad Museum. While the Inyo is operational, the D&R #8 is stored awaiting restoration.

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Sudden Fear 1952

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RKO Radio Pictures

A cross country train trip on a through sleeping car is the highlight of today’s feature. Believe it or not, back in the 1950’s, you could ride from New York City to Chicago, then on to San Francisco (Oakland) in the same sleeping car. Other railroads also offered similar coast to coast service.

What we see on screen (and out the window) is a wonderful mish-mosh of various railroads — some that would definitely NOT be on our movie’s NYC – Burlington – D&RGW – WP routing.

Myra Hudson (played by Joan Crawford) is a successful playwright whose smash hit is running on Broadway. Whilst riding the train out of New York, she spots Lester Blaine (played by Jack Palance) boarding at an intermediate stop. Myra had rather abruptly dismissed Lester from her play. Well. This might be a touch uncomfortable.

Palance turned in a wonderfully-creepy performance in this picture and Crawford… oh, those scary eyebrows. No wonder she wound up portrayed in the campy horror classic, Mommie Dearest. “Tina!! Bring me the axe!”

Anyway. It’s film noir on a train and that’s always a winner. Remember The Narrow Margin, anyone?

Can’t have a noir flick without smoke. Through the haze we see the studio’s recreation of Grand Central Terminal.

Note in the background, Track 25: Commodore Vanderbilt (Train 67) and Track 24: State of Maine Express. Myra would have taken Train 67 which carried the through 10-6 sleeper.

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