Tag Archives: Paramount Pictures

Play Safe 1936

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Paramount Pictures

Hey, how about a Max Fleischer Color Classic (Cartoon) to start things off for March…filmed in Technicolor, no less?! I found a copy on YouTube (see below) in remarkably good condition to review.

It’s basically a railroad safety film for kiddies back in the day with everyone from the narrator to anthropomorphic model trains to the gauges in the locomotive cab yelling at the boy to, “PLAY SAFE”… mostly to no avail.

In a bit of serendipity, I found this cartoon short whilst looking for the movie Play Safe 1927 (starring Monty Banks) as suggested by John Davies. I couldn’t find a decent version of that 1927 flick online, but found a great copy of what I review here. Enjoy.

Our short feature opens as a little boy (we’ll call him “Phil”), is reading in the backyard whilst straddling his electric train set, as his faithful dog (we’ll call him “Boots”) sleeps nearby. “The Ballad of Casey Jones” is playing in the background.

Phil’s house is right next to a double track main line featuring lower quadrant semaphores. The details in this frame alone are outstanding — fenced yard, back porch, train set complete with tunnel and water tower. How about that magnificent tree behind Boots?

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Murder on the Orient Express 1974

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EMI Films
Paramount Pictures

Merry Christmas! Our not-particularly-obscure movie takes place in December 1935 on board the luxurious Orient Express. Although the subject is rather grim for the holiday season, it’s a crackerjack who-done-it with an all-star cast of stage and screen — and snow plays a key part in the film.

As always, the brightest star from my point of view is the train itself. Pulling the posh coaches is SNCF #4353, a 1922-built 4-6-0 steam locomotive that is still with us. In order behind the engine are a baggage car, Restaurant car (#9), Sleeping car (#7), and a Pullman Lounge car #4163.

From Istanbul, Turkey, the train traveled through “Uzunkopru, Sofia (Bulgaria), Belgrade (Serbia), Zagreb (Croatia), Brod (Kosovo), Trieste (Italy), Venice, Milan, Lausanne (Switzerland), Bazel, Paris (France), Calais, with connections for London.”

Watch Hercule Poirot (played by Albert Finney) try to unravel a tangle of clues and suspects onboard an opulent occidental passenger train.

The engineman and his conductor come face to face with a snow-filled cut as #4353 simmers in the background; Poirot plays a little air-violin in his compartment, but all is not peaceful onboard. Nice fixtures and accoutrements, though!

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Shanghai Express 1932

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Paramount Pictures

Like last month’s Union Depot 1932, I’d like to thank Danny at the Pre-Code.com blog for introducing me to yet another obscure train movie.

There are only two thespians I had previously heard of in this picture: Marlene Dietrich, of course, as Shanghai Lily and Eugene Pallette as Sam Salt. Mr. Pallette was almost instantly recognizable by his voice alone. Film goers may remember him as Friar Tuck in The Adventures of Robin Hood 1938 (“Give me back my mutton!“).

The real star of the show was Southern Pacific Railroad #2428, a P-3 class 4-6-2 Baldwin-built steam locomotive. I believe this was the same engine used to represent two different trains. Pulling out of Peiping (Peking), the engine is numbered 4234, then the “hostage train” is numbered 2428. To further complicate things, there are only Chinese characters in the number boards to reference, but at least the wheel arrangement matches.

Anyhoo, let’s take a look at Hollywood’s interpretation of Chinese rail transport during an ongoing civil war. Hen hao, xièxiè !

Fixing to leave Peiping, the engineer looks back for the highball. Cab side lettering reads “4234” in Chinese characters; Later on in the movie, the engine characters are switched to “2428”.

Here is a link to sister SP locomotive #2429 to see what our film’s 4-6-2 looks like without the set dressing.

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Switchback 1997

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Paramount Studios

I first heard about this movie from a blog! Many thanks to James Tiroch and his Cinetrains site for providing a wealth of information about the two locomotives used in filming AND their disposition afterwards.

Despite the snazzy “Grande Gold” graphic (see below image) splashed across their flanks, these are NOT Denver and Rio Grande Western Railroad (D&RGW) locomotives! At the time of filming, Union Pacific owned D&RGW and would not allow use of their equipment. Movie makers simply leased a couple locomotives and painted them up the way they liked.

And WHAT a couple of engines they are! Two former Southern Pacific EMD-built (1970) SD39’s #5319 & #5325 dressed up in Rio Grande “speed lettering”. Let’s check out this film on the “Main Line Thru The Rockies”.

A pair of Rio Grande diesels is about to enter a tunnel deep in a Colorado canyon. These Espee SD39’s in disguise were frequently renumbered to represent different trains. Notice the cabside number location has been painted out. Here the lead unit is “2010” and the trailing unit is “234”.

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Appointment With Danger 1950

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Paramount Pictures

Let’s hear it for the Post Office! Or to quote from the film’s opening with triumphant march music playing in the background: “We’re proud of our Post Office, because we have confidence in its efficiency”. Well, things have changed a bit since 1950, but back in the day….

Many thanks to reader Mark Herrmann who tipped me off about this film noir goodie. After purchasing the DVD, I researched it and discovered train scenes filmed in Indiana AND Southern California. In addition to Alan Ladd (who plays the tough-as-nails Postal Inspector, Al Goddard), there are small parts played by Jack Webb (“My name’s Friday”) and Harry Morgan as two gang henchmen. That’s Al stepping off the caboose above.

As always, I’m gonna concentrate on the railroad pulchritude and leave the plot and gangster genre for others who may follow. C’mon, let’s check out trains from NYC, Pere Marquette, C&NW, Pennsylvania and Union Pacific railroads!

Gary (Indiana) Union Station was a beautiful structure when constructed in 1910 – as well as a pivotal plot point in this movie. Located between the New York Central and Baltimore & Ohio mainlines, both roads were served by this two-story edifice.

In these two views, we get a look inside and out of the passenger terminal. The depot still exists, but is literally a shell of its former self. That’s a 1949 Checker Cab (Thanks, big brother Mark!).

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Racing With The Moon 1984

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Paramount Pictures

Spicoli and The Skunk! Yes, Ridgemont High’s favorite pothead is back — walking the tracks of the California Western Railroad in this “coming of age” picture set during World War 2.

Of course, the real star of the show is California Western #45, a Baldwin 2-8-2 class of 1924 originally built for an Oregon lumber company, coming to C.W.R. in 1965. Happily, #45 is still with us in Fort Bragg, CA and at last report is operational.

Let’s watch buddies Henry “Hopper” Nash (played by Sean Penn) and Nicky / Bud (played by Nicolas Cage) hop freights along the C.W.R. and say their goodbyes (finale) at the really cool Fort Bragg depot.

Hey, there might even be a brief interlude between Hopper and Caddie (played by Elizabeth McGovern) somewhere in this review. All in good taste.

Read on and enjoy!

Here comes California Western #44 with a short freight as the picture begins. It was renumbered #44 after a rebuild to operational status specifically for this movie. Later, (movie’s ending), the 2-8-2 would get her #45 back.

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High Noon 1952

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Paramount Pictures

I first saw High Noon in my “Film as Literature” class at Mercer Island H.S. senior year (Hello, Blaine Dollard!). Loaded with symbolism, this flick has been analyzed to death, but fortunately I’m just interested in the railroad bits — which makes for a more enjoyable review.

Huh? You say it won 10 Academy Awards and is not obscure? Bah! The REAL star of this high-falutin’ oater is Sierra Railroad #3 pulling its coaches past the Hadleyville depot. The rest of that final showdown jazz is mere window dressing.

Well then, let’s enjoy a railfan’s delight as the little 1891 Rogers-built, 4-6-0 trundles into town. Do not forsake me, oh my darling!

Belching an ominous plume of black smoke, Sierra #3 slowly approaches the water tower. This scene, and the one above of the depot, was filmed at Warnerville, California.

The studio constructed the two-story Hadleyville station just for this movie (Hat tip to Larry Jensen’s The Movie Railroads book).

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Onion Pacific 1940

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Paramount Pictures
A Max Fleisher Cartoon

It’s Popeye the Sailor (voiced by Jack Mercer) vs. Bluto (voiced by Pinto Colvig) in this 1940 cartoon send up of Paramount’s own epic movie Union Pacific 1939. In this black and white animation, it’s a race side by side on double track to win the state franchise (presumably to operate the railroad). Two steam engines (Bluto runs a 6-4-0, Popeye a 4-2-0) have to contend with choke points like a single track bridge and single track tunnel.

Being a cartoon allows many over-the-top gags and mishaps you simply could not do with real actors. Compared to a Warner Brothers Looney Tunes, the animation is not that great, but it’s fast with lots of action. I was able to review this picture from my Popeye The Sailor 1938-1940 DVD.

Now sit back and enjoy this train-laden feature from the early days of animation!

This sequence gets reused quite a bit as for much of the race, the two combatants are side by side, constantly trading the lead with each other. Notice animators left off one set of pilot wheels on Bluto’s locomotive making it a 4-4-0.

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Union Pacific 1939

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Paramount Pictures

Cecil B. DeMille’s “epic” (translation: well over two hours long) film about the building of the first transcontinental railroad did everything in a big way. Big stars, train wrecks, Indian attacks and a messy love triangle for starters. Union Pacific utilized FIVE different steam locomotives — so many trains, in fact, Paramount had to obtain a railroad operating license from the Interstate Commerce Commission.

Doesn’t sound very obscure, does it? But…1939 was a long time ago and black and white turns many people off, so let’s just imagine obscurity and review it anyway. It really was a fascinating railroad movie to study.

Many many thanks to Larry Jensen and his book, “Hollywood’s Railroads, Volume One” for helping me identify the locomotives and passenger/freight cars used — most of which originally came from the Virginia & Truckee Railroad in Nevada.

As is my wont, I will concentrate on scenes where trains are involved. Camera…ACTION!

The movie premiered in Omaha, Nebraska over several days in April 1939. The recreation of the May 10, 1869 golden spike ceremony at Promontory, Utah was actually filmed near Canoga Park, California partially as a media event to promote the film.

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The Greatest Show on Earth 1952

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gse001

Paramount Pictures

The circus traveled by rail as demonstrated in Cecil B. DeMille’s Technicolor masterpiece of 1952. Winning the Oscar for Best Picture, this is the film that made Charlton Heston a star.

For this review, I concentrated on circus scenes that had trains in the background. Some highlights include an Atlantic Coast Line (ACL) steam locomotive and caboose, a Pennsy GG-1 electric and a elaborately-detailed scale model of the two circus trains.

Our review begins 19 minutes into the movie as the Ringling Brothers and Barnum & Bailey Circus (RBandB&B) prepares to leave its Winter Quarters in Sarasota, Florida.

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It took hundreds, if not thousands of people to operate the circus. As wagons of equipment are loaded piggyback-style on the left, performers and support staff prepare to board the passenger train on the right.

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