Tag Archives: Southern Pacific Railroad

Wrong Train to Brimstone 1971

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Universal Studios

Nevada County Narrow Gauge Railroad #5, a 2-6-0 built in 1875 by Baldwin is the star of today’s feature. Currently restored and operating at the NCNG Railroad museum in Nevada City, California, #5 was a movie star at Universal Studios from 1940 to 1984 for countless films and TV shows.

The Alias Smith & Jones (1971-1973) western television series utilized the studio “railroad” (about 2,000 feet of track and a couple depots) at Universal for filming. Producers also dipped into stock footage from other movies for transition and action scenes.

Hats Off to Larry Jensen for all his books about Hollywood’s movie railroads, making it easier to identify what is what. All Aboard!

With a blast of its throaty chime whistle, #5 prepares to leave town. Note the star on the boiler front, elk on the headlight box, #8 on the sand dome and some sort of name plate on the cab side. It’s possible this shot is footage from another production.

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At This Moment 1954

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The Jam Handy Organization for
Westinghouse Air Brake Company
(Jim Handy to the rescue!)

Inspector Luger! Yep, I actually recognize someone in this industry featurette. Good old James Gregory appears in this corny, railroad worker documentary. Corny yes, but great scenes of first generation diesels and passenger/freight trains from the post-World War 2 heyday of American Railroads.

Long before the days of FedEx, UPS and Amazon, practically EVERYTHING used in the American home and business got there by rail. This message is beaten into the viewer continuously. Our story takes place in a railroad beanery called “Scotty’s”, just up the street from the depot. A stranger has arrived and is pumping the locals for information, about just what it is, that makes a railroad go.

I plan to overlook most of the hyperbole and just concentrate on the kick color views of trains. Sound good, Inspector?

Mr. Gregory was a great character actor “curmudgeon” from the 1960’s and 1970’s. Here we see him as Inspector Frank Luger in Barney Miller and the diabolical Doctor Tristan Adams in Star Trek’s “Dagger of the Mind“. Is that a great, smirking countenance, or what?

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The West~Bound Limited 1923

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Film Booking Offices of America (FBO)

“An Amazing Photodrama of Flesh and Steel” is the tempting come-on of one lobby card (seen above). Today’s feature from the silent era was filmed in the Los Angeles area at both Santa Fe and Southern Pacific railroad locations.

My review pretty much just skips over the plot and concentrates on the train and locomotive goodness. Considering the movie is 100 years old, it’s a reasonably crisp print. A link to this movie can be found at the end of my narrative. Enjoy!

Southern Pacific Lines #2420 gets a fair amount of screen time and is seen here at full gallop. The 4-6-2 is from Espee’s P-1 Class and was built by Baldwin Locomotive Works in 1906. This was robust, speedy passenger power for its day including 77″ drivers, 200psi boiler pressure and just under 30,000lbs of tractive effort.

Sister locomotive #2423 is shown here for comparison, in this well-lit view from 1940.

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Duel 1971

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Universal Television

I want to dedicate this movie review to two people. First, Jim Tiroch, whose Cinetrains blog was a tremendous help researching this movie.

Second, my old roommate at college, John C. Mendenhall, Jr. “Mongo” used to walk around our dorm room in his shorts going, “HONK! HONKHONKHONKHONK! HOOOOOOONNNKKKK! just like the truck in this film.

Duel is an early example of what we now call “road rage”. Our protagonists are:

1 – David Mann (played by Dennis Weaver — MCCLOUD!!) driving his red 1970 Plymouth Valiant 4-door, California License Plate 149 PCE.

2 – “The Truck Driver” (played by Carey Loftin) driving a 1955 Peterbilt 285 with oil tanker trailer who is never actually seen clearly. The entire plot of the thing is the truck driver suddenly goes bonkers after being passed by the little red car.

Okay, you get the idea. Now, lets examine the train stuff. Southern Pacific Railroad provides the motive power, rolling stock and location (I believe the train scenes were filmed on SP’s line from roughly Saugus to Palmdale, California.). There are 3 separate encounters between combatants with Espee freight which we’ll examine.

Yaaarrrrgh! Dennis Weaver makes a great face inside his car as an SP freight train rolls by in the background. How about that triangular vent window to the left of McCloud’s snarling countenance? You don’t see those anymore…

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Who Framed Roger Rabbit 1988

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Touchstone Pictures

I love cartoons. When this big budget movie collaboration between Lucasfilm and Disney came out back in the 1980’s, I was first in line to see it in the theatre. Looking back now, I realize a major plot point was the demise of Los Angeles’ legendary Pacific Electric railroad system. At the time, many thought the disappearance of the “Red Cars” was a conspiracy by General Motors and the bus companies. The truth was much simpler. People preferred the convenience of their own private cars.

Who Framed Roger Rabbit is a perfect fit for my obscure train movie blog as the train part is mostly in the background, but comes to the front as the film reaches its climax. The more I researched this movie from a Pacific Electric Red Car standpoint, the more I understood what really happened…and how well filmmakers did reproducing the environment for the time period (late 1940’s).

Replica PE #721 rolls along with some non-paying passengers riding the rear bumper. #721 represents a “Hollywood Car” (600 class, #600-759). Notice its trolley pole is reaching for overhead wires that are not there.

At least one Hollywood Car (PE #655) was saved from the scrap heap and is in the collection of the Southern California Railway Museum.

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Railroadin’ 1941

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Adverti-Films – Hollywood

Filmed in glorious Dunningcolor, today’s feature was sponsored by Alco Locomotives & General Electric, so naturally their railroad equipment was featured front and center. Released just before the Japanese attack on Pearl Harbor, America is already gearing up for World War 2.

What sets this movie apart is the absolutely priceless scenes of Pre-war steam and diesel trains in color, no less. There are enough Electro-Motive Diesel passenger locomotives to keep things interesting and I’ll try my best to identify each scene used.

For example, the above picture appears to be in Chicago where an orange & maroon Milwaukee Road “Hiawatha” passenger train is arriving as a CMStP&P commuter train is switched alongside.

Let’s check it out!

How far they’ve come. At first, railroads themselves were shunned as dangerous and foolhardy. Now this nefarious couple contemplate railroad travel on credit…to collect her husband’s double indemnity insurance policy!

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Shanghai Express 1932

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Paramount Pictures

Like last month’s Union Depot 1932, I’d like to thank Danny at the Pre-Code.com blog for introducing me to yet another obscure train movie.

There are only two thespians I had previously heard of in this picture: Marlene Dietrich, of course, as Shanghai Lily and Eugene Pallette as Sam Salt. Mr. Pallette was almost instantly recognizable by his voice alone. Film goers may remember him as Friar Tuck in The Adventures of Robin Hood 1938 (“Give me back my mutton!“).

The real star of the show was Southern Pacific Railroad #2428, a P-3 class 4-6-2 Baldwin-built steam locomotive. I believe this was the same engine used to represent two different trains. Pulling out of Peiping (Peking), the engine is numbered 4234, then the “hostage train” is numbered 2428. To further complicate things, there are only Chinese characters in the number boards to reference, but at least the wheel arrangement matches.

Anyhoo, let’s take a look at Hollywood’s interpretation of Chinese rail transport during an ongoing civil war. Hen hao, xièxiè !

Fixing to leave Peiping, the engineer looks back for the highball. Cab side lettering reads “4234” in Chinese characters; Later on in the movie, the engine characters are switched to “2428”.

Here is a link to sister SP locomotive #2429 to see what our film’s 4-6-2 looks like without the set dressing.

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Union Depot 1932

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First National Pictures

I think I heard the word, “swell” about a dozen times in this movie…which made me giggle. It’s kind of corny, but relevant slang for the times. Now, before I get too carried away here, I want to thank Danny at the Pre-Code.com blog for tipping me off about this movie. His review of this flick was a great inspiration and help in understanding what the heck was going on.

For a picture mostly filmed in the studio, Union Depot had a respectable train allotment including two Southern Pacific steam locomotives I could identify, a named Pullman 12-1 sleeper and the pre-LAUPT Southern Pacific Central Station to name a few. And let’s not overlook the enormous Union Depot set itself built in the studio — which would be re-used in many more upcoming movies.

Joan Blondell (Yowza!) plays chorus girl Ruth Collins alongside the rakish Douglas Fairbanks, Jr. as hobo/bum Chick Miller who cleans up nicely (literally) before he meets his gal pal.

Let’s go down to the station and see what’s happening. All Abooooooarrrrd!!!

Joan turns on a dazzling smile as she and Doug discuss travel plans. In the background is the Union Depot soundstage which included offices, a cafe, bathrooms, waiting room with wooden pews, numbered gates to trains and columns. Lots of columns.

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Murder is my Beat 1955

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Allied Artists Productions

I first heard about this B noir picture from reader Tony Wilson. As I researched, I discovered a good copy on both archive.org and YouTube. The film features at least 3 different Southern Pacific Railroad steam locomotives pulling various heavyweight and streamlined passenger equipment.

It’s a relatively short flick at just 77 minutes, but there are two train sequences at the 31 minute and 70 minute marks packed full of onboard and train exterior goodness. I had a great time discovering the equipment used — made harder by B&W night-time footage. And there might just be a little cheesecake in there for our more mature readers.

Let’s go ride “The Friendly” Southern Pacific!

Churning, spoked drivers roll along an impeccably-groomed roadbed…which segues into this shot of a steamer pulling a 5 car passenger train down a weed-choked right-of-way.

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Switchback 1997

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Paramount Studios

I first heard about this movie from a blog! Many thanks to James Tiroch and his Cinetrains site for providing a wealth of information about the two locomotives used in filming AND their disposition afterwards.

Despite the snazzy “Grande Gold” graphic (see below image) splashed across their flanks, these are NOT Denver and Rio Grande Western Railroad (D&RGW) locomotives! At the time of filming, Union Pacific owned D&RGW and would not allow use of their equipment. Movie makers simply leased a couple locomotives and painted them up the way they liked.

And WHAT a couple of engines they are! Two former Southern Pacific EMD-built (1970) SD39’s #5319 & #5325 dressed up in Rio Grande “speed lettering”. Let’s check out this film on the “Main Line Thru The Rockies”.

A pair of Rio Grande diesels is about to enter a tunnel deep in a Colorado canyon. These Espee SD39’s in disguise were frequently renumbered to represent different trains. Notice the cabside number location has been painted out. Here the lead unit is “2010” and the trailing unit is “234”.

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