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Tag Archives: Pullman lightweight sleeper

Murder on the Orient Express 1974

EMI Films
Paramount Pictures

Merry Christmas! Our not-particularly-obscure movie takes place in December 1935 on board the luxurious Orient Express. Although the subject is rather grim for the holiday season, it’s a crackerjack who-done-it with an all-star cast of stage and screen — and snow plays a key part in the film.

As always, the brightest star from my point of view is the train itself. Pulling the posh coaches is SNCF #4353, a 1922-built 4-6-0 steam locomotive that is still with us. In order behind the engine are a baggage car, Restaurant car (#9), Sleeping car (#7), and a Pullman Lounge car #4163.

From Istanbul, Turkey, the train traveled through “Uzunkopru, Sofia (Bulgaria), Belgrade (Serbia), Zagreb (Croatia), Brod (Kosovo), Trieste (Italy), Venice, Milan, Lausanne (Switzerland), Bazel, Paris (France), Calais, with connections for London.”

Watch Hercule Poirot (played by Albert Finney) try to unravel a tangle of clues and suspects onboard an opulent occidental passenger train.

The engineman and his conductor come face to face with a snow-filled cut as #4353 simmers in the background; Poirot plays a little air-violin in his compartment, but all is not peaceful onboard. Nice fixtures and accoutrements, though!

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Sudden Fear 1952

RKO Radio Pictures

A cross country train trip on a through sleeping car is the highlight of today’s feature. Believe it or not, back in the 1950’s, you could ride from New York City to Chicago, then on to San Francisco (Oakland) in the same sleeping car. Other railroads also offered similar coast to coast service.

What we see on screen (and out the window) is a wonderful mish-mosh of various railroads — some that would definitely NOT be on our movie’s NYC – Burlington – D&RGW – WP routing.

Myra Hudson (played by Joan Crawford) is a successful playwright whose smash hit is running on Broadway. Whilst riding the train out of New York, she spots Lester Blaine (played by Jack Palance) boarding at an intermediate stop. Myra had rather abruptly dismissed Lester from her play. Well. This might be a touch uncomfortable.

Palance turned in a wonderfully-creepy performance in this picture and Crawford… oh, those scary eyebrows. No wonder she wound up portrayed in the campy horror classic, Mommie Dearest. “Tina!! Bring me the axe!”

Anyway. It’s film noir on a train and that’s always a winner. Remember The Narrow Margin, anyone?

Can’t have a noir flick without smoke. Through the haze we see the studio’s recreation of Grand Central Terminal.

Note in the background, Track 25: Commodore Vanderbilt (Train 67) and Track 24: State of Maine Express. Myra would have taken Train 67 which carried the through 10-6 sleeper.

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Case of the 12th Wildcat 1965

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CBS Television Network

Oh, this one should make both my brother and my wife go, “Gah!!…NOOOOoooo!!” (neither can STAND Perry Mason for various reasons, best not discussed here).

But…it’s my blog and there’s trains in it, so a-posting I will go. Three different railroads are seen in stock footage, but more about that later.

Originally broadcast on Halloween night 1965, “12th Wildcat” featured a Southern Pacific passenger train from San Francisco to Los Angeles on SP’s Coast Line. The action takes place in the dark of early morning onboard a lounge car and a couple sleepers in the first 12 minutes of the feature.

Come along and watch with amusement as I search for clues to the identity of some poorly-lit railroad equipment. Objection! Counsel is assuming a fact not in evidence and is leading the witness!

I include this interior shot of the lounge car purely for this guy’s wonderful, leering smirk.

It’s probably just a set, but includes a well-stocked bar — which fuels a drunken souse leading to murder!

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