Tag Archives: Metro-Goldwyn-Mayer

Berth Marks 1929

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Metro Goldwyn Mayer

The famous vaudeville comedy act, Laurel & Hardy starred in this early talkie short (19 minutes). Early scenes are filmed at Santa Fe Railway’s La Grande Station in Los Angeles.

Stan Laurel and Oliver Hardy play, well, themselves with a series of sight gags at the depot and onboard a heavyweight passenger train (partially filmed in the studio). They have tickets for a Pullman “section” set up for night time use (even though it’s broad daylight for the entire trip to “Pottsville”).

Motive power for the train is ATSF #1373, a 1337 class, Baldwin-built (1913), 4-6-2 Pacific. Santa Fe #1373 even has its own locomotive.fandom.com web page!

Will the boys make it to their destination in one piece? Let’s take a peek and see.

The majority of the plot consists of the duo attempting to get into their upper berth, well-illustrated in this movie poster; Not seen in the movie, but in this publicity shot is Stan & Oliver between a pair of outside-braced box cars. The car behind them is lettered “P.E.” for Pacific Electric, a subsidiary of Southern Pacific Railroad.

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Annie Get Your Gun 1950

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Metro Goldwyn Mayer

Pull! It’s a Technicolor musical extravaganza, featuring Buffalo Bill’s Wild West Show — which happily for us, traveled by train back in the day. Annie Oakley (played by Betty Hutton) and Frank Butler (played by Howard Keel) star as a pair of sharpshooters which is based on a true story.

According to Larry Jensen’s “Hollywood’s Railroads, Volume One”, MGM used their ex-Virginia & Truckee 4-4-0 #11 (The Reno) for studio train scenes. Unfortunately, the editors saw fit to only give a glimpse (see above) of Reno’s TENDER with “Transcontinental & Western” script lettering – concentrating instead on a string of bright yellow coaches.

Other train scenes utilized a model train for the credits (see top) and lifted footage of Sierra Railroad #18 directly out of Dodge City 1939 (see bottom).

A well-lit broadside of ATSF #18 (Sierra #18) 2-8-0 Baldwin 1906 pedaling furiously along. Close ups of this engine were used as bridging shots in Annie Get Your Gun.

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Two Smart People 1946

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Metro Goldwyn Mayer

Many Thanks to Tony Wilson for recommending this flick. Today’s feature is a post-war film noir taking place on a Southern Pacific Railroad train from Los Angeles to New Orleans.

John Hodiak (as Ace Connors) and Lucille Ball (as Ricki Woodner) star alongside Lloyd Nolan as NYC Policeman Bob Simms. You see, Ace is a bond swindler/con artist and Ricki is a flashy redhead with a jaded past. Officer Bob is on their tail looking for those fake bonds. To further complicate this triangle, Ace and Bob are old friends — just on opposite sides of the law.

Now. Where do you suppose Ace is HIDING those bonds? Well, you’ll just have to read this review and find out.

How about a nice, hot cup of tea? Most Noir pictures are loaded with symbolism. Case in point: Notice all the stripes (simulating prison bars). These two are definitely up to no good!

It’s probably on a studio set, but very nice-looking railroad lounge car interior.

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A Stop at Willoughby 1960

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How many times did they actually say “Willoughby” in this feature? I’ll have to go back and count. Update: 44 times. Reported to be Rod Serling’s favorite episode from the first season of The Twilight Zone, here’s another reviewed “movie” where we hear, but never actually see, any railroad motive power. Yep, just old passenger coaches being shoved up and down the track.

Still, trains play a major part in the story of burned-out Advertising Executive Gart Williams (played by James Daly) dreaming of a more serene lifestyle. Where have I seen this guy before? There’s a Star Trek TOS connection, natch.

Be sure to visit this blog next month when I review a Year-2000 remake movie based on A Stop At Willoughby. In color. And now, on with the show!

1960 train and 1888 train interiors. I believe the 1960 car is just a studio set at MGM where most of Twilight Zone was filmed, whilst the 1888 coach was (probably) on Paramount’s back lot. More about that later. Maybe.

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Terror on a Train 1953

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Metro Goldwyn Mayer

This started out as a movie I was reviewing on YouTube. Halfway through grabbing screen caps, they took the video down, so I went out and bought the DVD. MUCH better scans that way. The title is rather misleading. The original name, “Time Bomb”, is more accurate as this movie evokes suspense rather than terror.

Filmed in Great Britain, Glenn Ford stars as the Canadian bomb expert Peter Lyncort, recruited to (hopefully) find and disarm a saboteur’s incendiary device on a trainload of mines headed to the Royal Navy at Portsmouth.

Even in the misty murk of a black and white picture, I was able to identify no less than four English steam locomotives. French actress Anne Vernon plays the saucy wife of Glenn Ford, “Janine”, so the movie is not a complete weinerfest. Diffusing a bomb has got to be a perishable skill. Let’s see if ol’ Peter still has what it takes…

Here’s a movie poster for the original title. It looks like Glenn Ford is throwing a football; LOTS of interesting detail on the EXPLOSIVES placard.

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The Tall Target 1951

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Metro Goldwyn Mayer

It’s February 22, 1861. The American Civil War is about 7 weeks from exploding on the scene, and the 16th President of the United States has yet to be inaugurated. Gosh. I wonder who the tall target is?

Filmed mostly on MGM’s Lot #2 and at RKO’s Encino Ranch (on just 1,800 feet of railroad track), today’s movie features a wonderful 4-car passenger train pulled by the venerable Virginia & Truckee 4-4-0, #11 the “Reno”.

Many thanks to Bruce Bruemmer for recommending this flick and a hat tip to Larry Jensen’s “Hollywood’s Railroads, Volume One”, for the skinny on equipment used. It’s 78 minutes of film noir murder, suspense and intrigue, onboard a speeding express bound for our Nation’s Capitol!

It was a dark and stormy night. Wreathed in steam is the wood-burning, 1872 product of the Baldwin Locomotive Works; Coming down the aisle is our hero, Sergeant John Kennedy (played by Dick Powell). Hey, that gal with the knitting on the left…that’s none other than June Cleaver (played by Barbara Billingsley)! I wonder if she spoke jive back then…

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North by Northwest 1959

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Metro Goldwyn Mayer

A spotless New York Central “lightning-stripe” EMD E8A #4044 has just pulled the 20th Century Limited into Chicago’s LaSalle Street Station.

25 fabulous minutes of North by Northwest features railroad-related goodness including Grand Central Terminal in New York City, a ride up the Hudson River onboard the Century, dinner in the diner, and a train-to-waiting room tour of LaSalle Street Station.

Add to the mix Cary Grant (as Roger Thornhill) and Eva Marie Saint (as Eve Kendall) and you’ve got romance, suspense and intrigue galore. So, Watch Your Step and Welcome Aboard!

“Tell me, what do you do besides lure men to their doom on the 20th Century?”

As Roger Thornhill fondles his Gibson, Eve Kendall (Rahr-RAHR!) coolly appraises the handsome gent in the horn-rimmed Ray-Bans. Sparks are sure to fly in car 3901, Drawing Room E!

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Bad Day at Black Rock 1954

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Metro-Goldwyn Mayer

Wow, what an opening! Southern Pacific Railroad hosted one of the most spectacular railroad-themed opening credits ever done for a movie. The star is an SP passenger train in splashy “Daylight” dress led by a pair of equally classic “Black Widow” EMD F units.

Helicopter shots, distant shots, pacing shots were all added by associate producer Herman Hoffman after principal photography had ended. Test audiences had been unimpressed with the rather bland movie opening, so MGM rented a couple trainsets from Espee for filming on SP’s “Jawbone” line near Lone Pine, CA.

Once again, I am grateful to IMDb Trivia and particularly James Tiroch at Cinetrains for details about the railroad operations. The comments from Cinetrains/The Black Widow of Black Rock were extremely helpful in identifying the equipment used.

Let’s take a look at the zenith of Southern Pacific passenger cars led by silver-nosed freight engines as they barrel through the desert.

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In a pacing shot, EMD F3A #6151 and EMD F7B #8149 are towing an articulated chair car (note the single truck between the two cars).

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Grand Central Murder 1942

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Metro-Goldwyn-Mayer

Mostly filmed on the MGM lot in Culver City, Grand Central Murder is the tale of a Broadway stage actress who uses and discards people like Kleenex — until someone snaps and bumps her off. But who dunnit? And how? There’s not a mark on her. There IS a list of suspects a mile long.

And oh, what a set. MGM spared no expense using actual railroad passenger cars and a passable recreation of Grand Central Terminal’s underground high-level platforms and third-rail infrastructure. Southern Pacific Railroad’s subsidiary Pacific Electric served Culver City and you can briefly see SP EMD NW2 switcher #1315 shuffling cars around during a couple scenes.

As always, I’ll concentrate on the train bits, but the movie itself is well worth an evening’s viewing. All Aboard!

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Van Heflin (as “Rocky” Custer) checks out the heavyweight Pullman named, “Thanatopsis” for this picture. If you clink the link in the previous sentence, you’ll see it’s a not-so-subtle reference to what takes place on board.

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3 Godfathers 1948

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Metro-Goldwyn-Mayer

Southern Pacific Railroad #9, a 1909 narrow-gauge 4-6-0 from Baldwin, stars alongside John Wayne in this gritty, parched western directed by John Ford. Indeed, before the opening credits start to roll, we see SP #9 trundling along through the vastness of the western desert.

This movie will make you thirsty. Have plenty of water on hand before watching. The film features a great deal of stumbling through sand dunes and sagebrush as the 3 Godfathers continually search for water.

But that’s not why we’re here. The movie makers treat us to a wonderful little train led by SP #9 painted up for the fictitious “Rio Bravo Mogollon Railroad”. Sister locomotive SP #8 was previously seen/reviewed in my review of Sinister Journey 1948.

Come along and see how MGM used a boonie narrow gauge line in the Owens Valley of California to tell their story.

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SP #9 smokes it up coming into the God-forsaken water stop of Apache Wells. A white train? Hmmm….more about that later on in the review.

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