Tag Archives: Los Angeles

Berth Marks 1929

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Metro Goldwyn Mayer

The famous vaudeville comedy act, Laurel & Hardy starred in this early talkie short (19 minutes). Early scenes are filmed at Santa Fe Railway’s La Grande Station in Los Angeles.

Stan Laurel and Oliver Hardy play, well, themselves with a series of sight gags at the depot and onboard a heavyweight passenger train (partially filmed in the studio). They have tickets for a Pullman “section” set up for night time use (even though it’s broad daylight for the entire trip to “Pottsville”).

Motive power for the train is ATSF #1373, a 1337 class, Baldwin-built (1913), 4-6-2 Pacific. Santa Fe #1373 even has its own locomotive.fandom.com web page!

Will the boys make it to their destination in one piece? Let’s take a peek and see.

The majority of the plot consists of the duo attempting to get into their upper berth, well-illustrated in this movie poster; Not seen in the movie, but in this publicity shot is Stan & Oliver between a pair of outside-braced box cars. The car behind them is lettered “P.E.” for Pacific Electric, a subsidiary of Southern Pacific Railroad.

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Two Smart People 1946

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Metro Goldwyn Mayer

Many Thanks to Tony Wilson for recommending this flick. Today’s feature is a post-war film noir taking place on a Southern Pacific Railroad train from Los Angeles to New Orleans.

John Hodiak (as Ace Connors) and Lucille Ball (as Ricki Woodner) star alongside Lloyd Nolan as NYC Policeman Bob Simms. You see, Ace is a bond swindler/con artist and Ricki is a flashy redhead with a jaded past. Officer Bob is on their tail looking for those fake bonds. To further complicate this triangle, Ace and Bob are old friends — just on opposite sides of the law.

Now. Where do you suppose Ace is HIDING those bonds? Well, you’ll just have to read this review and find out.

How about a nice, hot cup of tea? Most Noir pictures are loaded with symbolism. Case in point: Notice all the stripes (simulating prison bars). These two are definitely up to no good!

It’s probably on a studio set, but very nice-looking railroad lounge car interior.

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The West~Bound Limited 1923

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Film Booking Offices of America (FBO)

“An Amazing Photodrama of Flesh and Steel” is the tempting come-on of one lobby card (seen above). Today’s feature from the silent era was filmed in the Los Angeles area at both Santa Fe and Southern Pacific railroad locations.

My review pretty much just skips over the plot and concentrates on the train and locomotive goodness. Considering the movie is 100 years old, it’s a reasonably crisp print. A link to this movie can be found at the end of my narrative. Enjoy!

Southern Pacific Lines #2420 gets a fair amount of screen time and is seen here at full gallop. The 4-6-2 is from Espee’s P-1 Class and was built by Baldwin Locomotive Works in 1906. This was robust, speedy passenger power for its day including 77″ drivers, 200psi boiler pressure and just under 30,000lbs of tractive effort.

Sister locomotive #2423 is shown here for comparison, in this well-lit view from 1940.

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Who Framed Roger Rabbit 1988

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Touchstone Pictures

I love cartoons. When this big budget movie collaboration between Lucasfilm and Disney came out back in the 1980’s, I was first in line to see it in the theatre. Looking back now, I realize a major plot point was the demise of Los Angeles’ legendary Pacific Electric railroad system. At the time, many thought the disappearance of the “Red Cars” was a conspiracy by General Motors and the bus companies. The truth was much simpler. People preferred the convenience of their own private cars.

Who Framed Roger Rabbit is a perfect fit for my obscure train movie blog as the train part is mostly in the background, but comes to the front as the film reaches its climax. The more I researched this movie from a Pacific Electric Red Car standpoint, the more I understood what really happened…and how well filmmakers did reproducing the environment for the time period (late 1940’s).

Replica PE #721 rolls along with some non-paying passengers riding the rear bumper. #721 represents a “Hollywood Car” (600 class, #600-759). Notice its trolley pole is reaching for overhead wires that are not there.

At least one Hollywood Car (PE #655) was saved from the scrap heap and is in the collection of the Southern California Railway Museum.

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Murder is my Beat 1955

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Allied Artists Productions

I first heard about this B noir picture from reader Tony Wilson. As I researched, I discovered a good copy on both archive.org and YouTube. The film features at least 3 different Southern Pacific Railroad steam locomotives pulling various heavyweight and streamlined passenger equipment.

It’s a relatively short flick at just 77 minutes, but there are two train sequences at the 31 minute and 70 minute marks packed full of onboard and train exterior goodness. I had a great time discovering the equipment used — made harder by B&W night-time footage. And there might just be a little cheesecake in there for our more mature readers.

Let’s go ride “The Friendly” Southern Pacific!

Churning, spoked drivers roll along an impeccably-groomed roadbed…which segues into this shot of a steamer pulling a 5 car passenger train down a weed-choked right-of-way.

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Railroadin’ 1929

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Hal Roach Studios

Whilst grazing around on YouTube, I came upon this absolute gem of an early black and white talkie. Railroadin’ features the Little Rascals / Our Gang kids on location at Santa Fe Railway’s Redondo Junction roundhouse in Los Angeles.

The star of the show is AT&SF #1373, a 4-6-2 built by Baldwin in 1913 and scrapped in 1949. In addition, we catch glimpses of a whole bevy of steam locomotives at the roundhouse which I’ll try to sort out later in this review.

Many thanks to “chrisbungostudios” on YouTube for putting together a most useful “Filming Locations” video, which will be linked to further down in my write up.

It’s iron horses galore in the last golden days of the Roaring Twenties! Let’s check it out.

Santa Fe Railway #1373 belches copious amounts of black smoke skyward (sanding the flues) as it runs along a side track. Notice the string of boonie old “outside braced” wooden box cars in the background.

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Case of the 12th Wildcat 1965

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CBS Television Network

Oh, this one should make both my brother and my wife go, “Gah!!…NOOOOoooo!!” (neither can STAND Perry Mason for various reasons, best not discussed here).

But…it’s my blog and there’s trains in it, so a-posting I will go. Three different railroads are seen in stock footage, but more about that later.

Originally broadcast on Halloween night 1965, “12th Wildcat” featured a Southern Pacific passenger train from San Francisco to Los Angeles on SP’s Coast Line. The action takes place in the dark of early morning onboard a lounge car and a couple sleepers in the first 12 minutes of the feature.

Come along and watch with amusement as I search for clues to the identity of some poorly-lit railroad equipment. Objection! Counsel is assuming a fact not in evidence and is leading the witness!

I include this interior shot of the lounge car purely for this guy’s wonderful, leering smirk.

It’s probably just a set, but includes a well-stocked bar — which fuels a drunken souse leading to murder!

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