Tag Archives: Dutch Angle

Paradise Express 1937

Republic Pictures

Dorothy Appleby (as Kay Carson) and Grant Withers (as Lawrence “Larry” Doyle) dress up the front of Southern Pacific Railroad #2418 in this canted publicity photo. Our movie features this oil-burning locomotive as the primary motive power of the fictional “Moon Valley Short Line”.

Thanks to reader Mo Bouk for suggesting this movie and providing links to B&W and colorized versions of the film on YouTube. I will be reviewing the colorized version.

The gist of the plot is the evil Armstrong Trucking Company has resorted to nefarious deeds, (downright racketeering if you ask me), to take customers away from the railroad, forcing them into bankruptcy.

Larry Doyle has been appointed receiver/trustee of the short line, and charmed by Kay Carson’s perky ti…err…demeanor, sets out to win back the stolen business from the truck line.

The print of this picture is pretty bad, so I will concentrate on the last 3/4’s of the movie which seems to have the best daylight views. Enjoy!

Arriving at Paradise (the movie’s namesake), is SP #2418 4-6-2 “Light Pacific” P-1 class built by Baldwin in August 1906. Built as a coal burner, it was soon converted to use oil. Superheater added at Ogden on 3-23-18. Vacated from roster 11-8-42. Scrapped at Bayshore on 10-12-48.

OK, is that enough information? ;p

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The Train 1964

United Artists

While not particularly OBSCURE, (Trains Magazine rated it the #1 greatest railroad film, evah), this black & white MOVIE is chock full of TRAINS from start to finish. So, two out of three ain’t bad.

Mind you, it’s a foreign film, which I usually don’t review, but The Train features so many explosions, spectacular derailments and is steam locomotive-propelled throughout, I just couldn’t pass it up.

Burt Lancaster, American accent intact, stars as the engine driver Labiche (pronounced Labeesh) — more about his funny last name later.

So come on, all you World War 2 buffs, let’s check out how the railway workers of the French Resistance take on the Germans in this gritty, over-exposed iron horse opera.

Colonel Franz Von Waldheim (played by Paul Scofield) is the art connoisseur who has looted a trainload of paintings from the Musee du Jeu de Paume and intends to take it back to Germany for ransom (“enough to equip 10 panzer divisions”).

How come English stage actors seem to make the most sinister and convincing stiff-arm saluting German officers?

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