Tag Archives: Baldwin Locomotive Works

The Long Chase 1973

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Universal Studios

Alias Smith and Jones! Season Three, Episode 1 found our paroled boys with a new steam locomotive to play with. Posing grandly for the cameras was Great Western Railroad #75, a 2-8-0 Consolidation built by Baldwin in 1907. Four years after filming wrapped on this show, GWR #75 would again star in the movie, “Breakheart Pass“.

As the end titles briefly state, “Portions of this program were filmed at the Manti-La Sal National Forest in Utah“. Which I had to go look up. Never heard of the place before. Ah! Somewhere down near Arches National Park. We visited Arches back in the mid-1970s on our way to Expo ’74 in Spokane.

Cast changes from the Season One episode I previously reviewed, include Roger Davis replacing Pete Duel as Hannibal Heyes.

Seen here rolling along a scenic D&RGW branch line in Utah, GWR #75 is still with us, although not operational. Her current home is the Heber Valley Railroad where she is approximately 70% through her restoration.

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The Great Race 1965

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Warner Brothers

THREE different train scenes decorate this 160 minute, old-time comedy, from the mid-sixties. Two steam locomotives and a rocket-car-on-rails (for heaven’s sake) provide the motive power when the going gets tough.

Not obscure by any stretch of the imagination, The Great Race is more famously known for it’s exotic automobiles and all-star cast.

As always, I will concentrate on the railroad bits and happily, all three machines shown are still in existence with the two steam engines currently in operation as of 2024.

Starting with the rocket car, let’s take a glance back from when Hollywood still knew how to create a fun and entertaining movie. MAAAAAAXXXXXX!!!

Blast Off! With a tremendous display of pyrotechnics, Professor Fate (played by Jack Lemmon) and Maximilian “Max” Meen (played by Peter Falk) hurtle down the track somewhere along the Sierra Railroad.

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Berth Marks 1929

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Metro Goldwyn Mayer

The famous vaudeville comedy act, Laurel & Hardy starred in this early talkie short (19 minutes). Early scenes are filmed at Santa Fe Railway’s La Grande Station in Los Angeles.

Stan Laurel and Oliver Hardy play, well, themselves with a series of sight gags at the depot and onboard a heavyweight passenger train (partially filmed in the studio). They have tickets for a Pullman “section” set up for night time use (even though it’s broad daylight for the entire trip to “Pottsville”).

Motive power for the train is ATSF #1373, a 1337 class, Baldwin-built (1913), 4-6-2 Pacific. Santa Fe #1373 even has its own locomotive.fandom.com web page!

Will the boys make it to their destination in one piece? Let’s take a peek and see.

The majority of the plot consists of the duo attempting to get into their upper berth, well-illustrated in this movie poster; Not seen in the movie, but in this publicity shot is Stan & Oliver between a pair of outside-braced box cars. The car behind them is lettered “P.E.” for Pacific Electric, a subsidiary of Southern Pacific Railroad.

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The Gambler 1980

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Time-Life
Columbia Broadcasting System

Today’s feature is a tale of two steam locomotives — mostly filmed at the Old Tucson Studios whose star attraction was ex-Virginia & Truckee #11, “Reno”. According to Larry Jensen’s “Hollywood’s Railroads, Volume One”, ex-Dardanelle & Russellville #8, also appeared in this made-for-TV movie and therein lies my quandary.

I can’t tell the engines apart. Both are 4-4-0’s. Both burn oil. V&T #11 was built by Baldwin in 1872. D&R #8 was built by Alco (Cooke) in 1888. From all the screen caps and pictures I’ve seen, these two could be twins.

SO. For identification purposes throughout my review, I will refer to the locomotive as it is painted — Southern Pacific Railroad #8.

Update: Many Thanks to blog reader Caldwell Butler, who has identified the locomotive below as D&R #8.

The entire 94 minute movie takes place in or around a train, so let’s explore Kenny Rogers’ journey “On a train bound to nowhere” (or in this case, to Yuma). At the bottom of this review, is a 3 1/2 minute video of “The Gambler” song on which this movie is based.

SP #8 is at full gallop with its passenger train on a nice, flat stretch of track. How about that MOD S.P.R.R. lettering on the tender? Is that a funky font or what?

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Annie Get Your Gun 1950

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Metro Goldwyn Mayer

Pull! It’s a Technicolor musical extravaganza, featuring Buffalo Bill’s Wild West Show — which happily for us, traveled by train back in the day. Annie Oakley (played by Betty Hutton) and Frank Butler (played by Howard Keel) star as a pair of sharpshooters which is based on a true story.

According to Larry Jensen’s “Hollywood’s Railroads, Volume One”, MGM used their ex-Virginia & Truckee 4-4-0 #11 (The Reno) for studio train scenes. Unfortunately, the editors saw fit to only give a glimpse (see above) of Reno’s TENDER with “Transcontinental & Western” script lettering – concentrating instead on a string of bright yellow coaches.

Other train scenes utilized a model train for the credits (see top) and lifted footage of Sierra Railroad #18 directly out of Dodge City 1939 (see bottom).

A well-lit broadside of ATSF #18 (Sierra #18) 2-8-0 Baldwin 1906 pedaling furiously along. Close ups of this engine were used as bridging shots in Annie Get Your Gun.

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Paradise Express 1937

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Republic Pictures

Dorothy Appleby (as Kay Carson) and Grant Withers (as Lawrence “Larry” Doyle) dress up the front of Southern Pacific Railroad #2418 in this canted publicity photo. Our movie features this oil-burning locomotive as the primary motive power of the fictional “Moon Valley Short Line”.

Thanks to reader Mo Bouk for suggesting this movie and providing links to B&W and colorized versions of the film on YouTube. I will be reviewing the colorized version.

The gist of the plot is the evil Armstrong Trucking Company has resorted to nefarious deeds, (downright racketeering if you ask me), to take customers away from the railroad, forcing them into bankruptcy.

Larry Doyle has been appointed receiver/trustee of the short line, and charmed by Kay Carson’s perky ti…err…demeanor, sets out to win back the stolen business from the truck line.

The print of this picture is pretty bad, so I will concentrate on the last 3/4’s of the movie which seems to have the best daylight views. Enjoy!

Arriving at Paradise (the movie’s namesake), is SP #2418 4-6-2 “Light Pacific” P-1 class built by Baldwin in August 1906. Built as a coal burner, it was soon converted to use oil. Superheater added at Ogden on 3-23-18. Vacated from roster 11-8-42. Scrapped at Bayshore on 10-12-48.

OK, is that enough information? ;p

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Around the World in 80 Days 1956

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Warner Brothers

There were TWO distinct train scenes in this 182 minute, Oscar-winning monstrosity: the first in India and the second in Colorado. I plan to just review the footage taken along the Denver and Rio Grande Western Railroad, narrow gauge lines. <– This last link is a FANTASTIC resource.

Taking its shape from the Jules Verne book of the same name, 80 Days follows the adventures of the fictitious Phileas Fogg (played by David Niven) and his loyal and resourceful valet, Passepartout (played by Cantinflas) as they attempt to circumnavigate the globe.

Of course, the REAL star of this entire production is D&RGW #315, a class C-18, 2-8-0, narrow gauge steam locomotive. She was originally built for the Florence & Cripple Creek Railroad as their #3 “Elkton” by Baldwin in 1895.

Let’s have some fun and check out the Wild West portion of 80 Days. All Aboard!

Ignacio, Colorado’s depot, on the D&RGW Durango to Chama, NM line, stands in as Fort Kearney (note the cavalry riding in). Filmmakers painted up the town’s depot into a pleasing red, white and blue scheme.

This was the best view of the entire passenger train in the movie. From left to right: D&RGW #315, diesel hiding in a baggage car, combine #212, coach #320 and parlor car “Silver Palace”.

More about the hidden diesel later.

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Wrong Train to Brimstone 1971

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Universal Studios

Nevada County Narrow Gauge Railroad #5, a 2-6-0 built in 1875 by Baldwin is the star of today’s feature. Currently restored and operating at the NCNG Railroad museum in Nevada City, California, #5 was a movie star at Universal Studios from 1940 to 1984 for countless films and TV shows.

The Alias Smith & Jones (1971-1973) western television series utilized the studio “railroad” (about 2,000 feet of track and a couple depots) at Universal for filming. Producers also dipped into stock footage from other movies for transition and action scenes.

Hats Off to Larry Jensen for all his books about Hollywood’s movie railroads, making it easier to identify what is what. All Aboard!

With a blast of its throaty chime whistle, #5 prepares to leave town. Note the star on the boiler front, elk on the headlight box, #8 on the sand dome and some sort of name plate on the cab side. It’s possible this shot is footage from another production.

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The West~Bound Limited 1923

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Film Booking Offices of America (FBO)

“An Amazing Photodrama of Flesh and Steel” is the tempting come-on of one lobby card (seen above). Today’s feature from the silent era was filmed in the Los Angeles area at both Santa Fe and Southern Pacific railroad locations.

My review pretty much just skips over the plot and concentrates on the train and locomotive goodness. Considering the movie is 100 years old, it’s a reasonably crisp print. A link to this movie can be found at the end of my narrative. Enjoy!

Southern Pacific Lines #2420 gets a fair amount of screen time and is seen here at full gallop. The 4-6-2 is from Espee’s P-1 Class and was built by Baldwin Locomotive Works in 1906. This was robust, speedy passenger power for its day including 77″ drivers, 200psi boiler pressure and just under 30,000lbs of tractive effort.

Sister locomotive #2423 is shown here for comparison, in this well-lit view from 1940.

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Challenge for Tomorrow 1954

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Santa Fe Railway Safety Department

This one was a lot of fun to research and review. An old Santa Fe safety film in glorious Technicolor from the days of yore. Its formal name was the Atchison, Topeka & Santa Fe Railway (ATSF) which stretched from Chicago to Los Angeles, The Bay Area (Richmond, California), and down from Kansas City into Texas.

Somehow all the prints I discovered online have the opening credits/title page lopped off. Thus, we’ll use the above safety images instead. The gent in the natty suit and bow tie, (wide lapels must be “IN” this year), has his pointer on San Bernardino’s injury count. He really needs to take a look at Albuquerque.

Just a smattering of steam locomotives are shown segueing into Santa Fe’s colorful, first-generation diesel fleet. And there’s no topping that classic red, silver and gold “Warbonnet” scheme on the passenger engines.

Let’s check it out. Santa Fe, All The Waaaaay!!

Motorcar operator “Skippy” is trundling down the San Joaquin Valley, blissfully unaware of the approaching San Francisco Chief. Should we warn him? “Look around, Skip, look around!” bellows the narrator. This great bit of melodrama will be fleshed out in the upcoming story. Read on.

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