Tag Archives: Super Chief

Death is a Double Cross 1971

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A Quinn Martin Production
Columbia Broadcasting System

Recommended by Lance (thanks for the link!), comes this TV episode of “Cannon”, broadcast on Pearl Harbor Day in 1971. The first half of this 60 minute “Quinn Martin Production” takes place on, or around, a Santa Fe Railway Super Chief-type consist, Los Angeles Union Passenger Terminal (LAUPT), and studio sets for the onboard train scenes.

At the time of filming, Amtrak was just starting to take over passenger operations (on May 1, 1971) from the private railroads.

Who is Cannon? He was a robust, rotund, private detective played by William Conrad. He drives around in a big old, metallic blue 1971 Lincoln Mark III two-door with a car phone and red interior.

Is there any cheesecake in this feature? Of course! Not only that, there’s a couple Star Trek connections as well. BUT you’ll have to wait until the end of my review. All aboard!

A Santa Fe Conductor checks his watch in the time-honored tradition beside ATSF “Pleasure Dome” #503. Note the Amtrak “Pointless Arrow” to his left – a harbinger of things to come for American train travelers (shudder…).

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Sudden Fear 1952

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RKO Radio Pictures

A cross country train trip on a through sleeping car is the highlight of today’s feature. Believe it or not, back in the 1950’s, you could ride from New York City to Chicago, then on to San Francisco (Oakland) in the same sleeping car. Other railroads also offered similar coast to coast service.

What we see on screen (and out the window) is a wonderful mish-mosh of various railroads — some that would definitely NOT be on our movie’s NYC – Burlington – D&RGW – WP routing.

Myra Hudson (played by Joan Crawford) is a successful playwright whose smash hit is running on Broadway. Whilst riding the train out of New York, she spots Lester Blaine (played by Jack Palance) boarding at an intermediate stop. Myra had rather abruptly dismissed Lester from her play. Well. This might be a touch uncomfortable.

Palance turned in a wonderfully-creepy performance in this picture and Crawford… oh, those scary eyebrows. No wonder she wound up portrayed in the campy horror classic, Mommie Dearest. “Tina!! Bring me the axe!”

Anyway. It’s film noir on a train and that’s always a winner. Remember The Narrow Margin, anyone?

Can’t have a noir flick without smoke. Through the haze we see the studio’s recreation of Grand Central Terminal.

Note in the background, Track 25: Commodore Vanderbilt (Train 67) and Track 24: State of Maine Express. Myra would have taken Train 67 which carried the through 10-6 sleeper.

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Case of the 12th Wildcat 1965

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CBS Television Network

Oh, this one should make both my brother and my wife go, “Gah!!…NOOOOoooo!!” (neither can STAND Perry Mason for various reasons, best not discussed here).

But…it’s my blog and there’s trains in it, so a-posting I will go. Three different railroads are seen in stock footage, but more about that later.

Originally broadcast on Halloween night 1965, “12th Wildcat” featured a Southern Pacific passenger train from San Francisco to Los Angeles on SP’s Coast Line. The action takes place in the dark of early morning onboard a lounge car and a couple sleepers in the first 12 minutes of the feature.

Come along and watch with amusement as I search for clues to the identity of some poorly-lit railroad equipment. Objection! Counsel is assuming a fact not in evidence and is leading the witness!

I include this interior shot of the lounge car purely for this guy’s wonderful, leering smirk.

It’s probably just a set, but includes a well-stocked bar — which fuels a drunken souse leading to murder!

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