Tag Archives: Day for night

Jesse James 1939

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20th Century Fox

Nineteen Thirty Nine was a big year for train movies. Union Pacific. Dodge City. Even Gone With The Wind. Adding to the pile, is today’s feature, Jessie James. In Technicolor, no less.

Of course the star of the show is Dardanelle & Russellville #8, a 4-4-0 built by Cooke Locomotive and Machine Company in February 1888. Originally constructed as Fort Worth and Denver City #9, in 1899 it came to the Dardanelle & Russellville Railroad, a five-mile Arkansas short line between its namesake towns.

In 1933, D&R #8 was retired with mechanical problems and left on a siding at Dardanelle. Hollywood came calling in 1938, sending the 4-4-0 to Missouri Pacific’s North Little Rock, Arkansas shops for a rebuild. The locomotive (and 3 D&R passenger cars) then made its way to Neosho, Missouri where train scenes were filmed along the Kansas City Southern Railway.

(Many thanks to Larry Jensen’s “The Movie Railroads” pages 196-197 for data on the engine.)

D&R #8 is still with us. As of 2024, it is a resident of the Nevada State Railway Museum in Carson City. Image by William Acord taken May 1992 at NSRM from RRPictureArchives.net

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Two Smart People 1946

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Metro Goldwyn Mayer

Many Thanks to Tony Wilson for recommending this flick. Today’s feature is a post-war film noir taking place on a Southern Pacific Railroad train from Los Angeles to New Orleans.

John Hodiak (as Ace Connors) and Lucille Ball (as Ricki Woodner) star alongside Lloyd Nolan as NYC Policeman Bob Simms. You see, Ace is a bond swindler/con artist and Ricki is a flashy redhead with a jaded past. Officer Bob is on their tail looking for those fake bonds. To further complicate this triangle, Ace and Bob are old friends — just on opposite sides of the law.

Now. Where do you suppose Ace is HIDING those bonds? Well, you’ll just have to read this review and find out.

How about a nice, hot cup of tea? Most Noir pictures are loaded with symbolism. Case in point: Notice all the stripes (simulating prison bars). These two are definitely up to no good!

It’s probably on a studio set, but very nice-looking railroad lounge car interior.

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Train to Tombstone 1950

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Lippert Pictures

Oh boy, another C picture from Lippert Studios. Yippie yi yo ki yay!

Don’t let the title fool you. The star attraction is a Virginia & Truckee steam locomotive and two car passenger train filmed in Nevada in that road’s last days of operation. I was able to find several color pictures of this movie train as well as extensive details about the engine.

Coming in at less than an hour run time (56 minutes, 47 seconds), there’s plenty of action including TWO Indian attacks and a motley assortment of passengers including dance hall girls, a man of the cloth, a wheelchair-bound, but nubile young woman and her elderly, straight-laced companion, a traveling corset salesman and various ruffians and rogues.

Is there really $250,000 worth of gold (GOLD!!) in the baggage car? Read along and let’s find out!

V&T 2-8-0 #5 leads mail-baggage #23 and combination car #18 in an establishing shot that will be seen repeatedly throughout our feature. Judging from the snow-capped mountains and arrow-straight track, (and a quick peek at one of my Larry Jensen books), I believe the location to be somewhere between Carson City and Minden, Nevada. Lots of pacing shots, so there’s undoubtedly a paved road paralleling the railroad.

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Shanghai Express 1932

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Paramount Pictures

Like last month’s Union Depot 1932, I’d like to thank Danny at the Pre-Code.com blog for introducing me to yet another obscure train movie.

There are only two thespians I had previously heard of in this picture: Marlene Dietrich, of course, as Shanghai Lily and Eugene Pallette as Sam Salt. Mr. Pallette was almost instantly recognizable by his voice alone. Film goers may remember him as Friar Tuck in The Adventures of Robin Hood 1938 (“Give me back my mutton!“).

The real star of the show was Southern Pacific Railroad #2428, a P-3 class 4-6-2 Baldwin-built steam locomotive. I believe this was the same engine used to represent two different trains. Pulling out of Peiping (Peking), the engine is numbered 4234, then the “hostage train” is numbered 2428. To further complicate things, there are only Chinese characters in the number boards to reference, but at least the wheel arrangement matches.

Anyhoo, let’s take a look at Hollywood’s interpretation of Chinese rail transport during an ongoing civil war. Hen hao, xièxiè !

Fixing to leave Peiping, the engineer looks back for the highball. Cab side lettering reads “4234” in Chinese characters; Later on in the movie, the engine characters are switched to “2428”.

Here is a link to sister SP locomotive #2429 to see what our film’s 4-6-2 looks like without the set dressing.

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