Tag Archives: State of Maine Express

The Seven Year Itch 1955

20th Century Fox

Most famously known as the movie that lifted Marilyn Monroe’s skirt, Seven Year Itch (or “Itch” as I call it), features COLOR footage of the old, original Pennsylvania Station in New York City. Itch is also a train movie without any physical trains seen — unless you want to count the elevated IRT Third Avenue Line seen briefly in a later scene.

What little we see of this palatial Beaux-Arts terminal is gorgeous though. This was the Pennsylvania Railroad’s masterpiece. It inspired me to purchase and research Paul Kaplan’s book “New York’s Original Penn Station — The Rise and Tragic Fall of an American Landmark”.

Of course, you can’t review this movie without a FEW screen caps of “Norma Jean” gassing it up with co-star Richard Sherman (played by Tom Ewell).

I’m not positive, but this MIGHT be the area of the station where Itch was filmed. The stairways and clock and overhead arches appear to line up. Photo credit: www.history101.nyc

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Sudden Fear 1952

RKO Radio Pictures

A cross country train trip on a through sleeping car is the highlight of today’s feature. Believe it or not, back in the 1950’s, you could ride from New York City to Chicago, then on to San Francisco (Oakland) in the same sleeping car. Other railroads also offered similar coast to coast service.

What we see on screen (and out the window) is a wonderful mish-mosh of various railroads — some that would definitely NOT be on our movie’s NYCBurlingtonD&RGWWP routing.

Myra Hudson (played by Joan Crawford) is a successful playwright whose smash hit is running on Broadway. Whilst riding the train out of New York, she spots Lester Blaine (played by Jack Palance) boarding at an intermediate stop. Myra had rather abruptly dismissed Lester from her play. Well. This might be a touch uncomfortable.

Palance turned in a wonderfully-creepy performance in this picture and Crawford… oh, those scary eyebrows. No wonder she wound up portrayed in the campy horror classic, Mommie Dearest. “Tina!! Bring me the axe!”

Anyway. It’s film noir on a train and that’s always a winner. Remember The Narrow Margin, anyone?

Can’t have a noir flick without smoke. Through the haze we see the studio’s recreation of Grand Central Terminal.

Note in the background, Track 25: Commodore Vanderbilt (Train 67) and Track 24: State of Maine Express. Myra would have taken Train 67 which carried the through 10-6 sleeper.

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