Tag Archives: LAUPT

Death is a Double Cross 1971

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A Quinn Martin Production
Columbia Broadcasting System

Recommended by Lance (thanks for the link!), comes this TV episode of “Cannon”, broadcast on Pearl Harbor Day in 1971. The first half of this 60 minute “Quinn Martin Production” takes place on, or around, a Santa Fe Railway Super Chief-type consist, Los Angeles Union Passenger Terminal (LAUPT), and studio sets for the onboard train scenes.

At the time of filming, Amtrak was just starting to take over passenger operations (on May 1, 1971) from the private railroads.

Who is Cannon? He was a robust, rotund, private detective played by William Conrad. He drives around in a big old, metallic blue 1971 Lincoln Mark III two-door with a car phone and red interior.

Is there any cheesecake in this feature? Of course! Not only that, there’s a couple Star Trek connections as well. BUT you’ll have to wait until the end of my review. All aboard!

A Santa Fe Conductor checks his watch in the time-honored tradition beside ATSF “Pleasure Dome” #503. Note the Amtrak “Pointless Arrow” to his left – a harbinger of things to come for American train travelers (shudder…).

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Two Smart People 1946

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Metro Goldwyn Mayer

Many Thanks to Tony Wilson for recommending this flick. Today’s feature is a post-war film noir taking place on a Southern Pacific Railroad train from Los Angeles to New Orleans.

John Hodiak (as Ace Connors) and Lucille Ball (as Ricki Woodner) star alongside Lloyd Nolan as NYC Policeman Bob Simms. You see, Ace is a bond swindler/con artist and Ricki is a flashy redhead with a jaded past. Officer Bob is on their tail looking for those fake bonds. To further complicate this triangle, Ace and Bob are old friends — just on opposite sides of the law.

Now. Where do you suppose Ace is HIDING those bonds? Well, you’ll just have to read this review and find out.

How about a nice, hot cup of tea? Most Noir pictures are loaded with symbolism. Case in point: Notice all the stripes (simulating prison bars). These two are definitely up to no good!

It’s probably on a studio set, but very nice-looking railroad lounge car interior.

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Union Depot 1932

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First National Pictures

I think I heard the word, “swell” about a dozen times in this movie…which made me giggle. It’s kind of corny, but relevant slang for the times. Now, before I get too carried away here, I want to thank Danny at the Pre-Code.com blog for tipping me off about this movie. His review of this flick was a great inspiration and help in understanding what the heck was going on.

For a picture mostly filmed in the studio, Union Depot had a respectable train allotment including two Southern Pacific steam locomotives I could identify, a named Pullman 12-1 sleeper and the pre-LAUPT Southern Pacific Central Station to name a few. And let’s not overlook the enormous Union Depot set itself built in the studio — which would be re-used in many more upcoming movies.

Joan Blondell (Yowza!) plays chorus girl Ruth Collins alongside the rakish Douglas Fairbanks, Jr. as hobo/bum Chick Miller who cleans up nicely (literally) before he meets his gal pal.

Let’s go down to the station and see what’s happening. All Abooooooarrrrd!!!

Joan turns on a dazzling smile as she and Doug discuss travel plans. In the background is the Union Depot soundstage which included offices, a cafe, bathrooms, waiting room with wooden pews, numbered gates to trains and columns. Lots of columns.

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